Miscellaneous/Various
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| Ref# | Date | Venue | Location | File | Time | Taper | Equipment | Lineage | Notes | Show Line-up | |||
| Couchmen Over Australia: On Metal. | |||||||||||||
| Former Melbourne talk show journalist hosts a program on metal and its alleged effects on kids. Includes a performance by Necrotomy. | |||||||||||||
| 0371 | 1992.xx.xx | ABC Studios | VIC, Australia | dvd-r | 50:00 | ABC | Professional | TV broadcast > VHS/M > DVD-R/M |  |
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| Ritual Habitual: Big Day Out 1996 A Documentary. | |||||||||||||
| The Big Day Out over five years has become the most important institution in Australian music history. In this travelling documentary we have been able to show the world as we know it - the performances, the audience, the personalities and behind the scenes, along with what makes it all tick. From multi camera performances to Nick Cave as one of the primary documenters, the Big Day Out is exposed, documented, calebrated, pulled apart and delivered in a personal way that makes you part of the circus. If you weren't there this gives you a chance to 'mosh' in your own lounge room. The Big Day Out lives up to it's catch-line "controlled kaos". | |||||||||||||
| 1279 | 1996.xx.xx | Various locations | Australia | dvd-r | 119:35 | Professional | Professional | Video: 'Ritual Habitual' PAL VHS tape > JVC S5500AM VCR > S-VHS > CYP 100G Time Base Corrector > Canopus ADVC110 > Adobe Premiere Pro CS6 (capture) > .avi Audio: 'Ritual Habitual' PAL VHS tape > JVC S5500AM VCR > AV cable > Canopus ADVC110 > Adobe Premiere Pro CS6 (capture) > .avi Lineage: .avi file > Adobe Premiere Pro CS6 (trimming, chapters) > Adobe Dynamic Link > Adobe Encore CS6 (authoring) > DVD .iso file (6.94gb) |
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| Community United: A Document Of Australian Hardcore. | |||||||||||||
| Two hours of live footage from 23 Australian hardcore bands, circa 1996-1998. | |||||||||||||
| 1636 | 1996-1998 | Various locations | Australia | dvd-r | 123:42 | Unknown | Unknown | Video: 'Community United' PAL VHS tape > JVC S5500AM VCR > S-VHS > CYP 100G Time Base Corrector > Canopus ADVC110 > Adobe Premiere Pro CS6 (capture) > .avi Audio: 'Community United' PAL VHS tape > JVC S5500AM VCR > AV cable > Canopus ADVC110 > Adobe Premiere Pro CS6 (capture) > .avi Lineage: .avi file > Adobe Premiere Pro CS6 (trimming, chapters) > Adobe Dynamic Link > Adobe Encore CS6 (authoring) > DVD folder (6.98gb) |
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| Recovery: The Best Of. | |||||||||||||
| A collection of performances from ABC's Recovery. Almost 50 bands, featuring: Something For Kate, TISM, 28 Days, Area 7, Midnight Oil, Deftones, Regurgitator, Public Enemy, Sonic Youth, Grinspoon, Guttermouth, Custard and more. | |||||||||||||
| 1273 | 1998.11.28 | ABC Studios | VIC, Australia | dvd-r | 195:26 | ABC | Professional | ABC 720p Broadcast > .TS > DVD folder > DVD-R/M | |
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| Make It Up Club: Melbourne Fringe Festival. | |||||||||||||
| Improvised and collaborative music and noise featuring: Passenger of Shit, Xian, Sean Baxter, Anthony Pateras, Lucas Abela, Max Kohane, Robin Fox, Adam Simmons, James Wilkinson, Mat Sanders and James Ludbrook. | |||||||||||||
| 0357 | 2006.10.10 | Bar Open | Fitzroy, VIC, Australia | .flac | 76:36 | KingBean | Sony ECM-DS70P > Sony NetMD MZ-N710 | MD/M > Cool Edit Pro > .wav > CD-R/M > EAC > .wav > TLH > .flac (lvl 8) | |
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| Make It Up Club: Melbourne Fringe Festival. | |||||||||||||
| Improvised and collaborative music and noise featuring: Ray Ahn (Hard-ons/wOg), Robbie Avenaim (Whatismusic?/wOg), Max Kohane (Agents Of Abhorrence/Cut Sick), Nik Kennedy (Super Fun Happy Slide). | |||||||||||||
| 0558 | 2007.10.09 | Bar Open | Fitzroy, VIC, Australia | .flac | 32:50 | KingBean | Sony ECM-DS70P > Rockboxed iRiver h320 | 16bit 44.1kHz wav > USB > Cool Edit Pro (normalised to 120%) > .wav > CD-R/M > EAC > .wav > TLH > .flac (lvl 8) | |
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| 0559 | 2007.10.09 | Bar Open | Fitzroy, VIC, Australia | dvd-r | 35:25 | KingBean | Sony Handycam DCR-PC108E > MiniDV | Video: MiniDV > Sony Handycam DCR-PC108E > IEEE 1394 > Premiere Pro 2.0 (capture) > .avi Audio track 1: Sony ECM-DS70P mic > Rockboxed iRiver h320 (line-in @ 16bit 44.1kHz wav) Audio track 2: Sony Handycam DCR-PC108E built-in mic DVD-R: .avi and .wav files > Adobe Premiere Pro 2.0 (editing, audio sync) > .m2v > Adobe Encore 2.0 (authoring, chapters, encoding) > DVD-R > DVD folder |
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| Make It Up Club 10th Birthday Festival. | |||||||||||||
| Bar Open has been home to the MIUC since 2004 and has provided an ideal space for exploring some of the more extreme dimensions of avant-improv. Tonight is dedicated to one of those areas: Shitcore. | |||||||||||||
| 0839 | 2008.04.22 | Bar Open | Fitzroy, VIC, Australia | dvd-r | 33:38 | Venting Gallery | Unknown | Unknown (master) > DVD-R > DVD folder | |
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| Chris Wallace's 30th Birthday Gig. | |||||||||||||
| Emprica, Chris Wallace & Mat Skitz jam, Honeytrap | |||||||||||||
| 4509 | 2008.08.29 | The Barwon Club | Geelong, VIC, Australia | .avi | 12:25 | Azza | Sony DCR-HC52E (built-in mic) > Sony MiniDV (SP mode, 4:3) | Sony MiniDV > Sony DCR-HC52E > IEEE 1394 > Adobe Premiere Pro 2020 > .avi (2.59 GB) | |
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Chris Wallace & Matt Skitz jam session. | |
| Stutter: 3 Sets With Rory Brown. | |||||||||||||
| This week for Stutter's occasional series that focuses on a specific performer in 3 different contexts, Sydney double bassist, RORY BROWN, a powerhouse of both density and subtlety features in 3 unique collaborations. | |||||||||||||
| 0752 | 2009.08.26 | Horse Bazaar | Melbourne, VIC, Australia | .flac | 69:18 | KingBean | Sony ECM-DS70P > Rockboxed iRiver h320 | 16bit 44.1kHz wav > USB > Cool Edit Pro (normalised to 120%) > .wav > CD-R/M > EAC > .wav > TLH > .flac (lvl 8) | |
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| 0753 | 2009.08.26 | Horse Bazaar | Melbourne, VIC, Australia | dvd-r | 68:49 | KingBean | Canon HV30 > TDK miniDV (HD, TV mode [1/50 shutter speed]) | Video: TDK MiniDV > Canon HV30 > IEEE 1394 > HDV Split 0.77 (capture) > .m2t (1440x1080) Audio track 1: Sony ECM-DS70P mic > Rockboxed iRiver h320 (line-in @ 16bit 44.1kHz wav) Audio track 2: Canon HV30 built-in mic DVD-R: .avi and .wav files > Adobe Premiere Pro 2.0 (editing, audio sync) > SD .avi > Adobe Encore 2.0 (authoring, chapters, encoding) > DVD-R > DVD folder |
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| Last Drinks At The Tote. | |||||||||||||
| Live sets and interviews from the final gig at The Tote, prior to its re-opening in April 2010. Featuring Hoss, Precious Jules, The Meanies, Spiderbait and The Drones. | |||||||||||||
| 4991 | 2010.01.18 | The Tote | Collingwood, VIC, Australia | .flac | 271:11 | Triple R/PBS | Professional | Triple R broadcast > Unknown transfer > .flac | |
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| Static Ice Festival. | |||||||||||||
| Heathen Skulls are proud to present the fourth installment of Static Age, a boutique music and arts festival intent on challenging music fans and fans of art for the sake of music. | |||||||||||||
| 4795 | 2010.10.02 | Northcote Uniting Church | Northcote, VIC, Australia | .flac | 22:34 | crankingamps | Core Sound HEB (matched DPA4061) mics > Core Sound Battery Box (flat response, no filter) > Edirol R-09HR > SDHC Card | 24-bit 48kHz .wav file > Adobe Audition 3 convert to 16-bit 44.1kHz, normalise (+10dB), trim top/tail (sector aligned) > FLAC Frontend 1.7.1 (level 8) | |
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Candlesnuffer set. | Stage 2 (Church Stage). |
| 4144 | 2010.10.02 | Northcote Uniting Church | Northcote, VIC, Australia | .flac | 23:30 | crankingamps | Core Sound HEB (matched DPA4061) mics > Core Sound Battery Box (flat response, no filter) > Edirol R-09HR > SDHC Card | 24-bit 48kHz .wav file > Adobe Audition 3 convert to 16-bit 44.1kHz, normalise (+10dB), trim top/tail (sector aligned) > FLAC Frontend 1.7.1 (level 8) | |
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Gate set. | Stage 2 (Church Stage). |
| 1046 | 2010.10.02 | Northcote Uniting Church | Northcote, VIC, Australia | .flac | 19:26 | crankingamps | Core Sound HEB (matched DPA4061) mics > Core Sound Battery Box (flat response, no filter) > Edirol R-09HR > SDHC Card |
24-bit 48kHz .wav file > Adobe Audition 3 convert to 16-bit 44.1kHz, normalise (+3dB), trim top/tail, tracking (sector aligned) > FLAC Frontend 1.7.1 (level 8) | |
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Agents of Abhorrence set. | Stage 1 (Hall Stage). |
| 4796 | 2010.10.02 | Northcote Uniting Church | Northcote, VIC, Australia | .flac | 30:30 | crankingamps | Core Sound HEB (matched DPA4061) mics > Core Sound Battery Box (flat response, no filter) > Edirol R-09HR > SDHC Card | 24-bit 48kHz .wav file > Adobe Audition 3 convert to 16-bit 44.1kHz, normalise (+8dB), trim top/tail (sector aligned) > FLAC Frontend 1.7.1 (level 8) | |
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The Dead C set. | Stage 1 (Hall Stage). |
| 4797 | 2010.10.02 | Northcote Uniting Church | Northcote, VIC, Australia | .flac | 20:10 | crankingamps | Core Sound HEB (matched DPA4061) mics > Core Sound Battery Box (flat response, no filter) > Edirol R-09HR > SDHC Card | 24-bit 48kHz .wav file > Adobe Audition 3 convert to 16-bit 44.1kHz, normalise (+2dB), trim top/tail (sector aligned) > FLAC Frontend 1.7.1 (level 8) | |
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Oren Ambarchi and Joe Talia set. | Stage 1 (Hall Stage). |
| 1462 | 2010.10.02 | Northcote Uniting Church | Northcote, VIC, Australia | .flac | 57:10 | crankingamps | Core Sound HEB (matched DPA4061) mics > Core Sound Battery Box (flat response, no filter) > Edirol R-09HR > SDHC Card |
24bit 48kHz .wav file > Adobe Audition 3 convert to 16-bit 44.1kHz, normalise (+4dB), trim top/tail, tracking (sector aligned) > FLAC Frontend 1.7.1 (level 8) |
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Zeni Geva set. | Stage 1 (Hall Stage). |
| World Grind Domination. | |||||||||||||
| Bring on the vomit spouting and eye bleeds, this NO -RIFF-GRINDCORE outfit will have you crawling for the door. This MEGA-ENSEMBLE features KOHANE (Agents Of Abhorrence / Internal Rot) - drums / SMITH (Super Fun Happy Slide / Internal Rot) - drums / KENNEDY (Spasmoslop / The Kill) - vocals / HYDE (Pneumatic Slaughter / Whitehorse) - vocals ... not for the weak willed. | |||||||||||||
| 1378 | 2012.12.10 | Northcote Social Club | Northcote, VIC, Australia | .flac | 14:42 | KingBean | Samsung Galaxy SII (built-in mic) > RecForge Lite v2.1.4 (16bit 44.1kHz wav, mono) | .wav > USB > Cool Edit Pro (normalised to 96%, tracks) > .wav > CDWave (split) > TLH > .flac (lvl 8) | |
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| Vocal Folds: Shane Van Den Akker & Nik Kennedy. | |||||||||||||
| The voice articulates language and the transmission of abstractions, emotions and ideas, but it is also a physical product of the lungs, vocal chords, tongue and lips. In Vocal Folds the voice is both embodied and disembodied, sculptural material and conceptual conduit. | |||||||||||||
| 1524 | 2013.07.11 | Gertrude Contemporary | Fitzroy, VIC, Australia | .flac | 17:51 | KingBean | Sony ECM-DS70P > Rockboxed iRiver h320 | 16bit 44.1kHz wav, +7.0db gain > USB > Cool Edit Pro (normalised to -0.01db) > .wav > CDWave (split) > TLH > .flac (lvl 8) | |
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| KingBean Japan Tour 2014. | |||||||||||||
| xx bands from xxxx gigs across Japan, March/April 2014. | |||||||||||||
| 2014 | 2014.03/04 | Various locations | Japan | bd-r | xxx:xx | KingBean | Video: Canon Powershot SX280 HS > .mp4 Audio: Sony ECM-DS70P > Rockboxed iRiver h320 (16bit 44.1kHz wav, +7.0db gain) |
.mp4 and .wav files > Adobe Premiere Pro CS5 (editing, audio sync) > Adobe Dynamic Link > Adobe Encore CS5 (authoring, chapters, encoding) > Blu-ray .iso/M (xx.xgb) | |
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| KingBean Japan Tour 2015. | |||||||||||||
| 26 bands from four gigs across Tokyo, August/September 2015. | |||||||||||||
| 2015 | 2015.08/09 | Various locations | Tokyo, Japan | bd-r | 163:13 | KingBean | Video: Samsung Galaxy S6 > .mp4 Audio: Sony ECM-DS70P > Rockboxed iRiver h320 (16bit 44.1kHz wav, +7.0db gain) |
.mp4 and .wav files > Adobe Premiere Pro CS5 (editing, audio sync) > Adobe Dynamic Link > Adobe Encore CS5 (authoring, chapters, encoding) > Blu-ray .iso/M (32.2gb) | |
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| Make It Up Club. | |||||||||||||
| Guro Moe, Håvard Skaset, DEAD, DEAD / MoE / Curly Wurm | |||||||||||||
| 2567 | 2016.04.19 | Bar Open | Fitzroy, VIC, Australia | .flac | 37:17 | KingBean | Sony ECM-DS70P > Rockboxed iRiver h320 | 16bit 44.1kHz wav, +7.0db gain > USB > Cool Edit Pro (each channel normalised to -0.01db) > .wav > TLH > .flac (lvl 8) | |
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Solo performances from Guro Moe and Håvard Skaset of MoE. | |
| 3789 | 2016.04.19 | Bar Open | Fitzroy, VIC, Australia | .mp4 | 35:17 | KingBean | Video: Canon HFG30 > SanDisk SDHC Extreme card > 2x .mp4 (1080p, 25fps, 24 Mbps) Audio track 1 (LPCM): Sony ECM-DS70P > Rockboxed iRiver H320 Audio track 2 (MPEG-4 AAC): Canon HFG30 built-in mic |
Editing: .wav from iRiver > Cool Edit Pro (each channel normalised to -0.01db) > Adobe Premiere Pro CS6 (sync to video) > .wav Encoding: TMPGEnc MPEG Smart Renderer 5 (join/trim files, add iRiver audio stream, lossless re-encode) > .mp4 (5.91 GB) |
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Solo performances from Guro Moe and Håvard Skaset of MoE. | |
| 2568 | 2016.04.19 | Bar Open | Fitzroy, VIC, Australia | .flac | 57:40 | KingBean | Sony ECM-DS70P > Rockboxed iRiver h320 | 16bit 44.1kHz wav, +7.0db gain > USB > Cool Edit Pro (each channel normalised to -0.01db) > .wav > TLH > .flac (lvl 8) | |
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Jem and Jace (DEAD) improvisation (23:27) followed by performance with MoE and Curly Wurm (34:13). | |
| 3790 | 2016.04.19 | Bar Open | Fitzroy, VIC, Australia | .mp4 | 23:22 | KingBean | Video: Canon HFG30 > SanDisk SDHC Extreme card > .mp4 (1080p, 25fps, 24 Mbps) Audio track 1 (LPCM): Sony ECM-DS70P > Rockboxed iRiver H320 Audio track 2 (MPEG-4 AAC): Canon HFG30 built-in mic |
Editing: .wav from iRiver > Cool Edit Pro (each channel normalised to -0.01db) > Adobe Premiere Pro CS6 (sync to video) > .wav Encoding: TMPGEnc MPEG Smart Renderer 5 (join/trim files, add iRiver audio stream, lossless re-encode) > .mp4 (3.99 GB) |
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Jem and Jace (DEAD) improvisation. | |
| 3791 | 2016.04.19 | Bar Open | Fitzroy, VIC, Australia | .mp4 | 34:38 | KingBean | Video: Canon HFG30 > SanDisk SDHC Extreme card > 2x .mp4 (1080p, 25fps, 24 Mbps) Audio track 1 (LPCM): Sony ECM-DS70P > Rockboxed iRiver H320 Audio track 2 (MPEG-4 AAC): Canon HFG30 built-in mic |
Editing: .wav from iRiver > Cool Edit Pro (each channel normalised to -0.01db) > Adobe Premiere Pro CS6 (sync to video) > .wav Encoding: TMPGEnc MPEG Smart Renderer 5 (join/trim files, add iRiver audio stream, lossless re-encode) > .mp4 (5.84 GB) |
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DEAD, MoE and Curly Wurm collab. | |
| Make It Up Club 19th Birthday Festival. | |||||||||||||
| Toecutter, James Rushford & Sean Baxter, Lisa MacKinney & Roman Tucker & Maria Moles & Adam Halliwell, Colostomy Boner | |||||||||||||
| 2722 | 2017.01.17 | Bar Open | Fitzroy, VIC, Australia | .flac | 27:06 | KingBean | Sony ECM-DS70P > Rockboxed iRiver h320 | 16bit 44.1kHz wav, +7.0db gain > USB > Cool Edit Pro (each channel normalised to -0.01db) > .wav > TLH > .flac (lvl 8) | |
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Phone-in "set" from Toecutter followed by James Rushford & Sean Baxter collab. | |
| 4075 | 2017.01.17 | Bar Open | Fitzroy, VIC, Australia | .mp4 | 13:23 | KingBean | Video: Canon HFG30 > Sandisk SDHC Extreme card > 2x .mp4 (1080p, 25fps, 24 Mbps) Audio track 1 (LPCM): Sony ECM-DS70P > Rockboxed iRiver h320 (+7.0db gain) Audio track 2 (MPEG-4 AAC): Canon HFG30 built-in mic |
Editing: .wav from iRiver > Cool Edit Pro (each channel normalised to -0.01db) > Adobe Premiere Pro CS6 (sync to video) > .wav Encoding: TMPGEnc MPEG Smart Renderer 5 (join files, add iRiver audio stream, lossless re-encode) > .mp4 (4.24 GB - includes #4075 and #4076) |
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Phone-in "set" from Toecutter. | |
| 4076 | 2017.01.17 | Bar Open | Fitzroy, VIC, Australia | .mp4 | 13:35 | KingBean | Video: Canon HFG30 > Sandisk SDHC Extreme card > 2x .mp4 (1080p, 25fps, 24 Mbps) Audio track 1 (LPCM): Sony ECM-DS70P > Rockboxed iRiver h320 (+7.0db gain) Audio track 2 (MPEG-4 AAC): Canon HFG30 built-in mic |
Editing: .wav from iRiver > Cool Edit Pro (each channel normalised to -0.01db) > Adobe Premiere Pro CS6 (sync to video) > .wav Encoding: TMPGEnc MPEG Smart Renderer 5 (join files, add iRiver audio stream, lossless re-encode) > .mp4 (4.24 GB - includes #4075 and #4076) |
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James Rushford & Sean Baxter collab. | |
| 1647 | 2017.01.17 | Bar Open | Fitzroy, VIC, Australia | .flac | 22:00 | KingBean | Sony ECM-DS70P > Rockboxed iRiver h320 | 16bit 44.1kHz wav, +7.0db gain > USB > Cool Edit Pro (each channel normalised to -0.01db) > .wav > TLH > .flac (lvl 8) | |
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Colostomy Boner set. | |
| 4077 | 2017.01.17 | Bar Open | Fitzroy, VIC, Australia | .mp4 | 22:58 | KingBean | Video: Canon HFG30 > Sandisk SDHC Extreme card > 2x .mp4 (1080p, 25fps, 24 Mbps) Audio track 1 (LPCM): Sony ECM-DS70P > Rockboxed iRiver h320 (+7.0db gain) Audio track 2 (MPEG-4 AAC): Canon HFG30 built-in mic |
Editing: .wav from iRiver > Cool Edit Pro (each channel normalised to -0.01db) > Adobe Premiere Pro CS6 (sync to video) > .wav Encoding: TMPGEnc MPEG Smart Renderer 5 (join files, add iRiver audio stream, lossless re-encode) > .mp4 (3.88 GB) |
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Colostomy Boner set. | |
| Kiyasu Noisecorkestra. | |||||||||||||
| Channels, Kiyasu Noisecorkestra [Kiyasu (drumkit) + Robbie Avenaim (robo-drums) + Rod Cooper (handmade noiseguitar) + Spasmoslop (electro-oral noise)], Ari Sharp, Octave Pussy, Ryosuke Kiyasu. | |||||||||||||
| 2755 | 2017.04.01 | Magnet Studios | Coburg North, VIC, Australia | .flac | 20:31 | KingBean | Sony ECM-DS70P > Rockboxed iRiver h320 | 16bit 44.1kHz wav, +7.0db gain > USB > Cool Edit Pro (each channel normalised to -0.01db) > .wav > TLH > .flac (lvl 8) | |
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| 4122 | 2017.04.01 | Magnet Studios | Coburg North, VIC, Australia | .mp4 | 21:52 | KingBean | Video: Canon HFG30 > Sandisk SDHC Extreme card > .mp4 (1080p, 25fps, 24 Mbps) Audio track 1 (LPCM): Sony ECM-DS70P > Rockboxed iRiver h320 (+7.0db gain) Audio track 2 (MPEG-4 AAC): Canon HFG30 built-in mic |
Editing: .wav from iRiver > Cool Edit Pro (each channel normalised to -0.01db) > Adobe Premiere Pro CS6 (sync to video) > .wav Encoding: TMPGEnc MPEG Smart Renderer 5 (trim file, add iRiver audio stream, lossless re-encode) > .mp4 (3.77 GB) |
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| Make It Up Club. | |||||||||||||
| Rod Cooper, Anthony Cooley/UBOA, Cooper Engineering Noise Orchestra | |||||||||||||
| 3071 | 2018.09.25 | Bar Open | Fitzroy, VIC, Australia | .flac | 44:47 | KingBean | Sony ECM-DS70P > Rockboxed iRiver h340 | 16bit 44.1kHz wav, +7.0db gain > USB > Cool Edit Pro (each channel normalised to -0.01db) > .wav > TLH > .flac (lvl 8) | |
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Rod Cooper solo + Noise Orchestra. | |
| XXXXXXXXX | |||||||||||||
| Spasmoslop, 2360, Erin K. Taylor, Hexreign | |||||||||||||
| 3091 | 2018.11.10 | XXXXXXXXX | Port Melbourne, VIC, Australia | .flac | 17:19 | KingBean | Sony ECM-DS70P > Rockboxed iRiver h340 | 16bit 44.1kHz wav, +7.0db gain > USB > Cool Edit Pro (each channel normalised to -0.01db) > .wav > TLH > .flac (lvl 8) | |
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Bridge show. 2360 set (Rod & Anthony). | |
| Make It Up Club, presented by Disco Multiverse/NK. | |||||||||||||
| Toilet Future, Ove-Naxx & Null Hypothesis, Holy Boner (w/ Anthony Cooley on electronics and Mariam Benjemaa, Yuka Mikayama and Bean on vocals) | |||||||||||||
| 3193 | 2019.02.12 | Bar Open | Fitzroy, VIC, Australia | .flac | 16:59 | KingBean | Sony ECM-DS70P > Rockboxed iRiver h340 | 16bit 44.1kHz wav, +7.0db gain > USB > Cool Edit Pro (each channel normalised to -0.01db) > .wav > TLH > .flac (lvl 8) | |
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Toilet Future set. | |
| 3194 | 2019.02.12 | Bar Open | Fitzroy, VIC, Australia | .flac | 32:33 | KingBean | Sony ECM-DS70P > Rockboxed iRiver h340 | 16bit 44.1kHz wav, +7.0db gain > USB > Cool Edit Pro (each channel normalised to -0.01db) > .wav > TLH > .flac (lvl 8) | |
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Ove-Naxx & Null Hypothesis collab set. | |
| 3195 | 2019.02.12 | Bar Open | Fitzroy, VIC, Australia | .flac | 19:39 | KingBean | Sony ECM-DS70P > Rockboxed iRiver h340 | 16bit 44.1kHz wav, +7.0db gain > USB > Cool Edit Pro (each channel normalised to -0.01db) > .wav > TLH > .flac (lvl 8) | |
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Holy Boner set. | |
| ウルトラマツリ. | |||||||||||||
| Raiki Kanno & Asei Muraguchi, kina:suttsu ＋ E-Da, Yuko Araki, Junya Ishii, YOSHIO ヒラサワと俺, Beaters | |||||||||||||
| 3613 | 2019.08.30 | El Puente | Nishi-Yokohama, Kanagawa, Japan | .flac | 25:36 | KingBean | Sony ECM-DS70P > Rockboxed iRiver h340 | 16bit 44.1kHz wav, +7.0db gain > USB > Cool Edit Pro (each channel normalised to -0.01db) > .wav > TLH > .flac (lvl 8) | |
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Yuko Araki set. | |
| 4668 | 2019.08.30 | El Puente | Nishi-Yokohama, Kanagawa, Japan | .mp4 | 17:35 | KingBean | Video: Samsung Galaxy S10 > .mp4 (1080p, variable framerate, ~14Mbps VBR) Audio: Sony ECM-DS70P > Rockboxed iRiver h340 (+7.0db gain) |
Encoding: .mp4 and .wav files > Adobe Premiere Pro 2020 (audio sync) > .mp4 (1080p, 30fps, 14Mbps CBR, 1.76 GB) | |
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Yuko Araki set (partial). | |
| 3614 | 2019.08.30 | El Puente | Nishi-Yokohama, Kanagawa, Japan | .flac | 12:44 | KingBean | Sony ECM-DS70P > Rockboxed iRiver h340 | 16bit 44.1kHz wav, +7.0db gain > USB > Cool Edit Pro (each channel normalised to -0.01db) > .wav > TLH > .flac (lvl 8) | |
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Junya Ishii set. | |
| 4669 | 2019.08.30 | El Puente | Nishi-Yokohama, Kanagawa, Japan | .mp4 | 12:34 | KingBean | Video: Samsung Galaxy S10 > .mp4 (1080p, variable framerate, ~14Mbps VBR) Audio: Sony ECM-DS70P > Rockboxed iRiver h340 (+7.0db gain) |
Encoding: .mp4 and .wav files > Adobe Premiere Pro 2020 (audio sync) > .mp4 (1080p, 30fps, 14Mbps CBR, 1.25 GB) | |
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Junya Ishii set. | |
| 3615 | 2019.08.30 | El Puente | Nishi-Yokohama, Kanagawa, Japan | .flac | 29:03 | KingBean | Sony ECM-DS70P > Rockboxed iRiver h340 | 16bit 44.1kHz wav, +7.0db gain > USB > Cool Edit Pro (each channel normalised to -0.01db) > .wav > TLH > .flac (lvl 8) | |
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YOSHIO ヒラサワと俺 set. | |
| 4670 | 2019.08.30 | El Puente | Nishi-Yokohama, Kanagawa, Japan | .mp4 | 5:17 | KingBean | Video: Samsung Galaxy S10 > .mp4 (1080p, variable framerate, ~14Mbps VBR) Audio: Sony ECM-DS70P > Rockboxed iRiver h340 (+7.0db gain) |
Encoding: .mp4 and .wav files > Adobe Premiere Pro 2020 (audio sync) > .mp4 (1080p, 30fps, 14Mbps CBR, 542 MB) | |
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YOSHIO ヒラサワと俺 set (partial). | |
| 3616 | 2019.08.30 | El Puente | Nishi-Yokohama, Kanagawa, Japan | .flac | 61:47 | KingBean | Sony ECM-DS70P > Rockboxed iRiver h340 | 16bit 44.1kHz wav, +7.0db gain > USB > Cool Edit Pro (each channel normalised to -0.01db) > .wav > TLH > .flac (lvl 8) | |
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Beaters set. | |
| 4671 | 2019.08.30 | El Puente | Nishi-Yokohama, Kanagawa, Japan | .mp4 | 10:45 | KingBean | Video: Panasonic Lumix GX9 w/ G Vario 12-32mm lens > Sandisk Ultra SD Card > .mp4 (4K, 29.97fps, 90 Mbps) Audio track 1 (LPCM): Sony ECM-DS70P > Rockboxed iRiver h340 (+7.0db gain) Audio track 2 (MPEG-4 AAC): Panasonic Lumix GX9 built-in mic |
Editing: .wav from iRiver > Cool Edit Pro (each channel normalised to -0.01db) > Adobe Premiere Pro 2020 (sync to video) > .wav Encoding: TMPGEnc MPEG Smart Renderer 5 (add iRiver audio stream, lossless re-encode) > .mp4 (5.56 GB) |
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Beaters set (partial - 4K camera footage, start of set). | |
| 4672 | 2019.08.30 | El Puente | Nishi-Yokohama, Kanagawa, Japan | .mp4 | 17:54 | KingBean | Video: Samsung Galaxy S10 > .mp4 (1080p, variable framerate, ~14Mbps VBR) Audio: Sony ECM-DS70P > Rockboxed iRiver h340 (+7.0db gain) |
Encoding: .mp4 and .wav files > Adobe Premiere Pro 2020 (audio sync) > .mp4 (1080p, 29.97fps, 14Mbps CBR, 1.79 GB) | |
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Beaters set (partial - 1080p phone footage, end of set). | |
| Make It Up Club. | |||||||||||||
| GodFire, Lou2, Dirk Stromberg, Colostomy Baguette? | |||||||||||||
| 4017 | 2019.11.26 | Bar Open | Fitzroy, VIC, Australia | .flac | 19:14 | KingBean | Sony ECM-DS70P > Rockboxed iRiver h340 | 16bit 44.1kHz wav, +7.0db gain > USB > Cool Edit Pro (each channel normalised to -0.01db) > .wav > TLH > .flac (lvl 8) | |
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Lou2 set. | |
| 4018 | 2019.11.26 | Bar Open | Fitzroy, VIC, Australia | .flac | 17:16 | KingBean | Sony ECM-DS70P > Rockboxed iRiver h340 | 16bit 44.1kHz wav, +7.0db gain > USB > Cool Edit Pro (each channel normalised to -0.01db) > .wav > TLH > .flac (lvl 8) | |
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Dirk Stromberg set. | |
| Make It Up Club 23rd Anniversary Festival. | |||||||||||||
| Victor Lancaster/Carolyn Connors/Rama Parwata, Dave Brown/Maria Moles (with unreleased solo recordings of Sean Baxter), DARFOUR (recorded at Instants Chavirés, Paris), Occult Blood/Internal Rot | |||||||||||||
| 5134 | 2021.01.12 | The Tote | Collingwood, VIC, Australia | .flac | 15:11 | KingBean | Sony ECM-DS70P > Rockboxed iRiver H340 | 16bit 44.1kHz wav, +7.0db gain > USB > Adobe Audition 2020 (each channel normalised to -0.01db) > .wav > TLH > .flac (lvl 8) | |
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Victor Lancaster/Carolyn Connors/Rama Parwata set. | |
| 5135 | 2021.01.12 | The Tote | Collingwood, VIC, Australia | .flac | 23:52 | KingBean | Sony ECM-DS70P > Rockboxed iRiver H340 | 16bit 44.1kHz wav, +7.0db gain > USB > Adobe Audition 2020 (each channel normalised to -0.01db) > .wav > TLH > .flac (lvl 8) | |
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Dave Brown/Maria Moles w/ Sean Baxter recordings set. | |
| 5136 | 2021.01.12 | The Tote | Collingwood, VIC, Australia | .flac | 11:47 | KingBean | Sony ECM-DS70P > Rockboxed iRiver H340 | 16bit 44.1kHz wav, +7.0db gain > USB > Adobe Audition 2020 (each channel normalised to -0.01db) > .wav > TLH > .flac (lvl 8) | |
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Occult Blood/Internal Rot set. | |
| 5137 | 2021.01.12 | The Tote | Collingwood, VIC, Australia | .mkv | 11:36 | KingBean | Video: Canon HFG30 > SanDisk SDHC Extreme card > .mp4 (1080p, 50fps, 34 Mbps) Audio track 1 (FLAC): Sony ECM-DS70P > Rockboxed iRiver H340 Audio track 2 (MPEG-4 AAC): Canon HFG30 built-in mic |
Editing: .wav from iRiver > Adobe Audition 2020 (each channel normalised to -0.01db) > Adobe Premiere Pro 2020 (sync to video) > .wav > TLH > .flac Encoding: TMPGEnc MPEG Smart Renderer 5 (join/trim files, add iRiver audio stream, lossless re-encode) > .mkv (2.90 GB) |
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Occult Blood/Internal Rot set. | |