TISM 2022.11.12
Saturday November 12th, 2022
The Croxton Bandroom
Thornbury, VIC, Australia
Source:
Taper: KingBeanEquipment:
Video: Samsung Galaxy S10 (4K, 30fps, 45 Mbps) + Samsung Galaxy S21+ (1080p, variable fps, 20 Mbps)
Audio track 1 (FLAC): Sony ECM-DS70P > Roland R-07
Editing (A1): .wav > Adobe Audition 2023 (hard limit, sync to video) > .wav
Encoding: Adobe Premiere Pro 2023 (sync/trim/fade audio, upscale 1080p video) > .mp4
Video Specs:
File format: | .mp4 |
Video codec: | H.264 |
File size: | 9.66 GB |
Duration: | 28m 38s |
TV system: | |
Frame Rate: | 30 fps |
Scan type: | Progressive |
Storage Resolution: | 3840 x 2160 |
Display Resolution: | 3840 x 2160 |
Storage Aspect Ratio: | 16:9 (1.77) |
Display Aspect Ratio: | 16:9 (1.77) |
Video Bitrate: | 48.0 Mb/s CBR |
Audio Coding mode: | AAC LC |
Sampling Rate: | 48 kHz |
Audio Bitrate: | 317 kb/s |
Setlist:
- Intro Tape (Herb Alpert & The Tijuana Brass)
- The Art/Income Dialectic
- I Drive A Truck (cut)
- Whatareya?
- I'll 'Ave Ya
- (cut) Thunderbirds Are Coming Out (cut)
- (cut) Lillee Caught Dilley Bowled Milli Vanilli
- What Nationality Is Les Murray?
- I'm Interested In Apathy
- (cut) Tradies Get The Ladies (Diatribe)
- Everyone Else Has Had More Sex Than Me (cut)
- The History Of Western Civilisation
- (cut) Greg! The Stop Sign!! (cut)
- Saturday Night Palsy
- Martin Scorsese Is Really Quite A Jovial Fellow
- (cut) Death Death Death
- The Mystery Of The Artist Explained
- (He'll Never Be An) Ol' Man River
- Defecate On My Face
- Old School TISM (Diatribe)
Notes:
First TISM show since November 27th 2004 (18 years). Secret warm-up show ahead of their run of shows at Good Things Festival. Completely unannounced until an hour or two before they took the stage, when a Facebook post went up, and the venue quickly filled. They were billed on the venue running sheets as Open Mic Tryouts.
Footage is a mixture of my own (filmed at 4K) and my brother's (filmed at 1080p). I had my Sony FX30 ready to go but security demanded to see a photo pass, which I did not have, so I had to put it away (even though it was no issue filming Holocene and Davey Lane with it).
Placeholder graphic (seen below) used to cover a few gaps in footage when going between two video sources.
Footage is a mixture of my own (filmed at 4K) and my brother's (filmed at 1080p). I had my Sony FX30 ready to go but security demanded to see a photo pass, which I did not have, so I had to put it away (even though it was no issue filming Holocene and Davey Lane with it).
Placeholder graphic (seen below) used to cover a few gaps in footage when going between two video sources.